11:26. Dimensions. Martha Rosler, Photo-Op, série Bringing the War Home : — [nouvelle série], 2004, photomontage, 51 x 61 cm. The particular page I’ve linked to includes a list of all of the film and performance pieces Rosler has created. “Cleaning the Drapes,” a photomontage from Martha Rosler’s series House Beautiful: Bringing the War Home (c. 1967–72), featured in the exhibition “Artists Respond: American Art … MARTHA ROSLER … The Gray Drape, Inkjet print 35.56 x 27.94 cm , 2008. See more ideas about martha, photomontage, feminist art. Les images sources proviennent pour la plupart des pages de House Beautiful et de LIFE Magazine, deux importants magazines illustrés de l’époque. By visiting our website or transacting with us, you agree to this. sheet: 50.8 × 60.9 cm (20 × 24 in.) Martha Rosler, Cleaning the Drapes from the series House Beautiful: Bringing the War Home (1967 –­1972) Cleaning the Drapes, a photomontage from Rosler's renowned series House Beautiful: Bringing the War Home, is the first work by the artist to enter the Gallery's collection. 10 mai 2012 - MODERN ART NOTES - Art-focused Journalism by Tyler Green 1:21. When I was a young person in the mid 60s, we, the United States that is, had gotten itself into a war that shocked my whole generation, that started from a small action in Vietnam and gradually got bigger and bigger and bigger and it seemed to be beyond reason. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. My name is Martha Rosler and we're discussing a body of work called House Beautiful Bringing the War Home. Reading the descriptions you can see that she’s tackling a number of issues relating to gender biases and women’s expected place in society. Image courtesy of the artist and Mitchell-Innes & Nash, New York . Martha Rosler. Martha Rosler American, born 1943. In one image, Cleaning the Drapes, a stylish young housewife straight out of a vacuum cleaner ad effortlessly dusts the ornate damask drapes of her living room, only to find, as she lifts back the curtains, that the view outside the window is one of soldiers in the trenches rather than a manicured suburban lawn. Elle a eu un fils nommé Josh Neufeld8, auteur de bandes dessinées. series Title. An inventive examination of a crucial but neglected aspect of architecture, by an architect writing to architects. Breaking News: Turning the Lens on Mass Media. Splicing together pictures of Vietnamese citizens maimed in the war, published in Life magazine, with images of the homes of affluent Americans culled from the pages of House Beautiful, Rosler made literal the description of the conflict as the "living-room war," so called in the USA because the news of ongoing carnage in Southeast Asia filtered into tranquil American homes through television reports. House Beautiful: Bringing the War Home. House Beautiful: Bringing the War Home (1967-1972) [back to photos and photomontages] Gift of the Collectors Committee and Pepita Milmore Memorial Fund. She called the series, House Beautiful: Bringing the War Home. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. About forty years later, during the US occupation in Iraq she reopened the series as a kind of update on what she was trying to get across. LEFT TO RIGHT: Martha Rosler, The Gray Drape, 2008, Martha Rosler, House Beautiful: Cleaning the Drapes, 1967-1972 Does any one think Jerry Saltz would have taken issue with Martha Rosler’s book of war clippings last week in NY Magazine, had her (now closed) show at Mitchell-Innis and Nash taken place in a museum? Martha Rosler: Cleaning the Drapes, from the series House Beautiful: Bringing the War Home, c. 1967-72, Photomontage. MARTHA ROSLER Woman with Cannon (Dots), from the series House Beautiful: Bringing the War Home c. 1967-72 Photomontage. About this artwork Currently Off View Contemporary Art Artist Martha Rosler Title Cleaning the Drapes, from the series House Beautiful: Bringing the War Home Origin United States Date 1967–1972 Medium Photomontage, edition ten of ten Dimensions 50.8 × 61 cm (20 × 24 in.) A selection of artworks make the usually invisible aspects of maintenance visible, from Martha Rosler's Cleaning the Drapes to Inigo Manglano-Ovalle's The Kiss. 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