Shot on lush 35mm on location in Sardinia, this movie feels more expensive than Ade's debut, even though I'm sure the budgets were comparable. It’s the anti-Antichrist. More details at With Birgit Minichmayr, Lars Eldinger. It's a film that is more interested in the nitty gritty of functioning relationships. tbh. Maren Ade (German: [ˈmaːʁən ˈʔaːdə]; born 12 December 1976) is a German film director, screenwriter and producer.Ade lives in Berlin, teaching screenwriting at the Film Academy Baden-Württemberg in Ludwigsburg.Together with Janine Jackowski and Jonas Dornbach, she also runs the film production company Komplizen Film. lícula amb el títol Toni Erdmann sobre un home que comença a fer bromes a la seua filla adulta quan s'adona que ha esdevingut massa seriosa. It is through Komplizen that Maren would later co-produce, among … The following day Chris is hyper critical of Gitti, taking her on a long hike during which they get lost. Like Gitti says, he's weak, afraid to take risks and doesn't take charge of his life. With Lars Eidinger, Birgit Minichmayr, Hans-Jochen Wagner, Nicole Marischka. The script and camerawork are finely detailed. At first worried, and then upset by her games, Chris resolves to make things work and let his guard down. Precisely wrought top to bottom. In German, Italian; English subtitles. At times uncomfortable, at times profound - usually both at the same time. Germany. cannot overstate how stressful it is to see these people dance around all the glass figurines. Why paying partner therapy when you can watch instead "Everyone Else"? When he tries to speak to Gitti about his unhappy feelings about his life and career she interrupts him to say that he muses too much over everything and should consider settling down with her. He blows raspberries into her stomach, which makes her laugh, and the two finally look at each other. Birgit Minichmayr Lars Eidinger Hans-Jochen Wagner Nicole Marischka Carina N. Wiese Paula Hartmann Mira Partecke Atef Vogel Laura Zedda Claudio Melis, Dirk G. Engelhardt Janine Jackowski Maren Ade, Всички останали, Entre nosotros, Oloi oi alloi, Mások vagyunk, Alle andre, Wszyscy inni, Todos os Outros, Страсть не знает преград, Du och jag, Vsi drugi, 119 mins "No you don’t ask me anymore. Die meist ruhige Beziehungsgeschichte ist sehr ehrlich - von romantisch bis hässlich - aber genauso wie im Film selbst, ist es mit Alle Anderen auch bei mir eine Hassliebe mit einem eher ernüchternden Ende. Newly pregnant, obnoxious, vapid people who are ostensibly happy together but offer nothing to…. Lots of rough edges here; you can see hints of the material that’s polished to diamond-perfection in Toni Erdmann, but here she tries to go way too deep into the psychology of the relationship, and there are a couple of jarring scenes that feel transposed from a comic mindset and don’t play for drama very well. Chris overrides her and accepts the invitation. Everyone Else is a film directed by Maren Ade with Birgit Minichmayr, Lars Eidinger, Hans-Jochen Wagner, Nicole Marischka, .... Year: 2009. And yet however long it’s been, they’re at that inevitable point in a relationship (at least if you’re an honest and self-aware person; maybe most aren’t) when you begin to see the other person as they really are, rather than who you’ve wanted them to be. Maren Ade (Karlsruhe, 12 de diciembre de 1976) es una directora de cine, guionista y productora de cine. Filmmaking so emotionally mature and complex, insights so honest, that most other relationship dramas feel like cheap, paper-thin nonsense in comparison. Vibe: Unlike The Forest for the Trees, Everyone Else is visually beautiful. An exercise in voyeurism, Maren Ade's provocatively titled, superbly performed, emotionally graphic Everyone Else is more fascinating than enjoyable. The winner of the Grand Prix and Best Actress prizes at Berlin, Everyone Else confirms German director Maren Ade as a great new talent. A (never-ending?) Made me want to see Toni Erdmann again. For me better than "Toni Erdmann". TMDb Hans invites the couple to a barbecue at his home with his wife Sana, a successful fashion designer, which Gitti tries to decline as she has already received an invitation from a bohemian couple she has recently met. Their union appears…. Maybe you’re just tired of straining your throat or maybe there’s something you don’t want me to hear. About relationship woes. Some sequences are a bit drawn out. relationships are painful!!!! Everyone Else (English Subtitled) ... Maren Ade. Alle Anderen. Check out the official top 100 narrative feature films by women directors list, ~~A top 250 for a limited time, clone the list by 01/27~~, Ranked by average user rating. Directed by Maren Ade. My favorite movie of 2010 didn’t involve Facebook, schizoid ballerinas, defunct toys, lesbian parents, or dreams-within-dreams-within-dreams-within-dreams. Chris and Gitti, the two main characters, have already passed the honeymoon phase. Even more so when they are of the romantic variety. [3], Review: Couple fight each other, 'Everyone Else', https://en.wikipedia.org/w/index.php?title=Everyone_Else&oldid=992303614, Creative Commons Attribution-ShareAlike License, Best Performance by an Actress in a leading role (nominated), This page was last edited on 4 December 2020, at 16:07. Gitti and Chris are a young German couple on vacation at Chris's family villa in Sardinia. On the surface, Chris and Gitti appear blissfully in love while enjoying the sun and sand of Sardinia. the official avant garden discord server list of movies, spearheaded by the one and only elena, Jayce Fryman 18,682 films 3,238 103 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. films like that are our lifeblood, sustain our culture, water our crops. Or what causes disfunction within them. Watching “Everyone Else” is akin to spending a vacation with people you know you won’t like from the first day. At the end of the night, Hans playfully throws Sana into the villa pool, leading Chris to throw Gitti in as well even as she begs him not to. Chris and Gitti, the two main characters, have already passed the honeymoon phase. I don't think they're right for each other and should probably break up. And when he does try to do that it's in extremely petty ways like Gitti's not "allowed" to watch Italian TV, carry her own backpack or follow his exact route on a hike. vacation gone sour is a great sub-genre of film. Single most cutting line: "You're so embarrassing.". It surfaced most prominently in the American mainstream with The Graduate, but it’s still a very European ideal, and one that the … A fear of the bourgeoisie lifestyle has infiltrated European cinema for decades. Ade has an intense affinity for authentic, natural moments of interpersonal disintegration that’s miles above that other 2009 festival movie about love on the rocks. Great performances. Maybe you’re just tired when you get home from work, or maybe you’d rather be dancing with someone else. Aber die ständigen scherzhaft gemeinten Sticheleien der einen, das ständige Vergleichen mit anderen Paaren des anderen und das keinen Schritt von seiner Position zurückweichen beider, lässt Traumstrände und süßes Nichtstun bald zu einem Kampf werden. Or what causes disfunction within them. work in progress. Sie zeigt das Scheitern, die Trauer, die Wut, aber auch die Freude, die Liebe, die Geilheit. Everyone Else. love sucks, and coming to terms with the fact that life will never be as complete as you want it to be is one of the most difficult parts of being human. Hans eventually reveals that Chris has declined an architecture prize because his design would be melded with another architect, though Chris had previously told Gitti that he hadn't heard back from the competition, which angers Gitti. Written and directed by Maren Ade. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. The following day Chris informs Gitti that he is considering taking an architecture job on the island. Though Gitti begs him not to leave her alone at night, he goes anyway, returning in the morning. After meeting up with Chris by chance, he suggests they invite Hans and Sana to their home. It takes hard work to maintain a good relationship. ETA: This list is getting long so I moved sections…. Placing a youngish, newly formed couple under relentless observation, Ade's two-hour squirmathon gets a bit more intimate on the subject of intimacy than the viewer might wish. Much like Maren Ade’s Toni Erdmann, about a … When they extend the invitation again, Chris clumsily declines, which annoys Gitti. 'Everyone Else' (2009) by Maren Ade. IMDb Synopsis: This film tells the story of Gitti and Chris, an odd couple who are battling their way through a holiday of secluded togetherness. Chris is upset and insulted by her outburst. Alle Anderen (aka Everyone Else) was an official selection at the 2009 Berlin International Film Festival. Maren Ade, Producer: Toni Erdmann. Siete años después de su premiadísima y extraordinaria EVERYONE ELSE, Maren Ade vuelve a la dirección (y debuta en Cannes) con una película que, al menos en apariencia, poco y nada tiene que ver con aquel drama de pareja. TSPDT THE 21ST CENTURY’S MOST ACCLAIMED FILMS (2020 Edition), (almost) every title from worldscinema.org. The film centres on Gitti and Chris, whose holidays take a different turn when they meet another, apparently perfect couple. Original title: Alle Anderen. The next day, Chris overhears Gitti concocting an excuse to leave early without letting him know. Maren Ade's Everyone Else isn't interested in dabbling in meet cutes and passionate love affairs. Gitti is much more spontaneous and light-hearted than Chris, wanting to go out and try to make friends while Chris remains introverted, preferring to stay in and read, even hiding from his neighbour; her playful demeanor often annoys him, while his guarded attitude exasperates her. A navel-gazing mood piece with just enough Eurosex to keep you awake, Everyone Else follows a young couple on a Mediterranean vacation whose relationship comes to a tipping point. The acting and directing style suits the overall vibe really well. After confronting her, Gitti asserts that she is leaving him, and no longer loves him anymore because he is a weakling. Before you know it, you're knee-deep in a union that requires daily maintenance to function. And I kind of wish I made it and that I was a good enough writer to write this, maybe someday, alas, boring movies where people don’t talk will always be wanted (right?). It is a character study with 2 main characters, depicting a young married couple, their love and their arguments. Gitti and Chris are vacationing in Sardinia, where they spend most of the time in an emotional tug of war, to sometimes comical, sometimes painful effect. It's unclear just how long Gitti and Chris have been together; they still live separately back in Berlin, though they’re close enough for an extended holiday alone at Chris's parents' home in Sardinia. Both characters try to, almost without even trying, become what they are not (and what they think the other person wants), amazing. Too real, the frustration, anger confusion of the final days. It's a defiance of the world, a suffering of fools and frustrations that goes as unspoken as it goes spoken. While shopping for groceries Chris spots Hans, a successful old classmate, and unsuccessfully tries to hide from him. But those moments pass by quickly. It deserves higher recognition. I’m so triggered by the uncomfortable hiking trip and the thinness of Gitti’s eyebrows. The acting is so giving and intimate. In this edgy comedy drama from director Maren Ade, Chris (Lars Eidinger) and Gitti (Birgit Minichmayr) are a couple whose relationship has more than its share of ups and downs; she works as a publicist for a rock group whose career is going nowhere in particular, while he's an architect who hasn't been able to persuade anyone to build one of his designs just yet. Se presenta como parte de MUJERES CON CÁMARAS DE CINE Film Maren Ade. Upset, she asks Sana to make an excuse so that she and Hans will leave. 35mm. Enjoy!!! The film was awarded with the Silver Bear at the 59th Berlin Film Festival. Showing as part of Club film editor Scott Tobias … It's spelled out as Gitti speaks of jumping out of windows and Chris champs for something more in his career. Maren Ade's Everyone Else isn't interested in dabbling in meet cutes and passionate love affairs. german excellence to make a bleak dramedy about the difficulty and nigh-impossibility of human connection where everyone stews and hates each other. I'm tired of being stuck at home! This is like, too fucking real. Official Top 250 Narrative Feature Films by Women Directors, Pride: A Chronological History of Queer Interest & LGBTQ+ Cinema, The Best Horny Movies for Quarantine: An Erotic Film Canon, 2020 Updated! yikes!!!!!!!!!!!!!! synopsis. Arthouse. Gitti becomes more uncomfortable when Chris takes them into his mother's private dream room and mocks her interests for Hans and Sana's amusement. A bit of chance, some physical attraction, and a few sweet words is all it takes. Ade vive en Berlín, donde enseña escritura de guiones en la Academia de Cine de Baden-Württemberg en Luisburgo. ‘Alle Anderen’ 124 min. They are not only dissatisfied with each other, but with themselves (and everyone else). 2009. Review aggregator Rotten Tomatoes reports that 89% out of 35 professional critics gave the film a positive review, with a rating average of 7.7/10. Everyone Else Directed by: Maren Ade Written by: Maren Ade Starring: Birgit Minichmayr, Lars Eidinger, Hans-Jochen Wagner, and Nicole Marischka. by Maren Ade. DRAMA; A young couple's relationship is pushed to the brink while vacationing in the Mediterranean in this smart, sexy drama from the acclaimed director of TONI ERDMANN, Maren Ade. The atmosphere becomes uncomfortable when Gitti runs into the bohemian couple she had previously met; they are put off by her new, put-together appearance and are somewhat hurt that she had stood them up. Made by fans in Auckland, New Zealand. being one with another person hurts!!!! While on a Mediterranean vacation, a seemingly happy boyfriend and girlfriend find their connection to one another tested as they bond with another couple. Maren Ade was born in Karlsruhe on 12 December 1976 to a couple of teachers.She studied cinema at Munich's Hochschule für Fernsehen und Film. Mobile site. the whole ‘i’m nothing without you’ (lana del rey btw) trope can be like that. Most of all this movie really make me want to go on a vacation to Europe again. A young couple's relationship is pushed to the brink while vacationing in the Mediterranean in this smart, sexy drama from acclaimed new filmmaker Maren Ade. Siete años después de su premiadísima y extraordinaria EVERYONE ELSE, Maren Ade vuelve a la dirección (y debuta en Cannes) con una película que, al menos en apariencia, poco y nada tiene que ver con aquel drama de pareja.TONI ERDMANN sorprende, primero, por su duración (son más de 160 minutos), pero eso se olvida rápidamente cuando uno empieza a ver el filme y se … The unspoken dissatisfaction boiling under the surface of the main couple in Everyone Else is vastly more understandable to me than most forms of lack. kinda...heartbreaking? It's a film that is more interested in the nitty gritty of functioning relationships. Everyone Else . Ade’s film is deeply immersed in its characters, exploring the nuances of relationships and situations with incredible, rich insight. 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